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Dehlin Brattgård Arkitekter creates "robust machine for experimental exhibitions" at ArkDes

由专筑网小R,王雪纯编译

位于斯德哥尔摩的瑞典建筑设计中心在其复式画廊中新建了全新的展览空间,其中有着铁丝网表面、大型圆窗,以及环绕室外的坡道。

德国Dehlin Brattgård Arkitekter事务所为ArkDes设计了一个更好的展览空间Boxen,主要用于小规模展览,这座博物馆会更有名一些。

这座多层结构主要由钢铁建造而成,就如同是一座“适用于实验性快速展览的机器”。

The Swedish Centre for Architecture and Design in Stockholm has a new exhibition space within one of its lofty galleries, featuring wire mesh surfaces, a huge round window and a ramp winding round its exterior.
German studio Dehlin Brattgård Arkitekter designed Boxen to give ArkDes – as the museum is better known – a space better suited to presenting small-scale exhibitions.
Made primarily from steel, the multi-level structure is described by the museum as "a robust machine for fast-changing, experimental exhibitions".

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Boxen是适合举办小规模展览的空间/Boxen gives ArkDes a space suited to presenting small-scale exhibitions

博物馆负责人Kieran Long解释说:“对于Boxen,我们认为其是一座适用于快速、经济、实验性的小型展览空间。”

“这座博物馆一直缺少这样一个小空间,我们认为这也是瑞典缺乏独立展览空间的象征,因此我们需要为此类新兴实验性展览提供平台。”

"Our brief for Boxen was simply to create a small gallery space for faster, cheaper, more experimental exhibitions and curatorial projects," explained museum director Kieran Long.
"The museum had always lacked such a gallery, and we also felt that the lack of an independent gallery scene in Sweden required us to provide a platform for emerging, polemical practice."

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该空间位于两个19世纪展厅内/It is installed within one of the museum's two 19th-century exhibition halls

Boxen位于博物馆的两个现有展厅内,这两个展厅是曾经用于军事训练的19世纪体育馆,面向上世纪90年代由Rafael Moneo加建的建筑的一部分。

展馆灰白色的色调与周围环境融为一体,而其裸露的实用性构件则表现得十分大胆。展馆的工字梁框架和波纹钢屋顶直接表达出来,让光线能够从上方进入室内。

Boxen is installed within one of the museum's two existing exhibition halls, a pair of 19th-century gymnasiums once used for military training, that face out towards a part of the building that was added by Rafael Moneo in the 1990s.
While its muted tones of white and grey blend in with its surroundings, Boxen's exposed utilitarian structure makes a bold statement. It features a visible framework of structural I-beams and a corrugated steel roof, which is raised up to allow light to enter from above.

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展馆的外部环绕着坡道/A ramp winds around the exterior of the gallery

坡道位于展馆的入口处,环绕着整个外部空间,坡道由简约纺织网格的栏杆组合而成,穿过圆窗的中央部分,在沿着整个空间伸展的阳台处止步,让参观者能够全方位地欣赏展品。

从这里,一座隐蔽的楼梯成为了展馆的额外室内通道。

The ramp begins by the gallery entrance and wraps the entire exterior. With a balustrade made from simple textile mesh, it passes across the centre of the round window and finishes at a balcony that stretches along the full length of the structure, giving visitors the opportunity to view exhibits inside the gallery from all angles.
From here, a concealed staircase provides an extra route inside the gallery.

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坡道引导着参观者环绕展览空间,最终通向阳台/The ramps leads up to a balcony, before guiding visitors back down into the exhibition space

展厅面积约为156平方米,为长方形布局,并且有着“经典的双平方比例”。

内部墙体整齐地排列不折胶合板和白色石膏板,构成了传统的白色立方体内部形态。这些表面的后侧则涂成银色,很好地呼应了旁侧的金属网。

The gallery space has an area of 156 square metres in total, laid out as a rectangle with "classical double-square proportions".
Its internal walls are lined with birch plywood and white plasterboard to create a more traditional white-cube interior. The backside of these surfaces is painted silver, to better fit in with the metal mesh and netting it sits beside.


空间由金属制作而成,外观上满足实用需求/Made primarily from steel, the structure is deliberately utilitarian in appearance

Long在2017年成为博物馆的负责人,之后不久就着手进行这个项目。其目标是让博物馆变得更加丰富一些,同时也为斯德哥尔摩的新兴建筑事务所提供发挥的机会。

这座展览馆于2018年6月投入使用并举办了三次展览,分别是斯德哥尔摩城市规划部门的档案展“Modellarkivet”、考察建筑与数字世界关系的装置展“Space Popular”,以及当地新兴设计人才作品展“Young Swedish Design 2019”。

Long commissioned the project shortly after becoming director of the museum in 2017. His aim was to give the museum an opportunity to become more versatile, while also offering a platform to an emerging architecture studio based in Stockholm.
Since opening in June 2018, the gallery has hosted three exhibitions: Modellarkivet, a look into the archive of Stockholm's Urban Planning Department; Space Popular, an installation looking at the relationship between architecture and the digital world; and Young Swedish Design 2019, a showcase of emerging local talent.

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这座展馆已经举办了三次展览,其中有考察建筑与数字世界关系的装置展“Space Popular”/The gallery has hosted three exhibitions so far including Space Popular, which looked at the relationship between architecture and the digital world

Long说:“Dehlin Brattgård的项目超出了我们的预期。”

“他们在这座博物馆建筑中创造了悄然的激进空间。这让博物馆的空间更加紧密,形成美丽优雅的室内环境,还为沿着斜坡行走的参观者创造了奇妙的氛围。”

"Dehlin Brattgård's project gave us more than we could have expected," said Long.
"I think they have made a quietly radical piece of museum architecture. It densifies the museum's spaces, creating a beautiful, elegant interior, but also providing the drama and fun of walking up the ramp," he continued.

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在斯德哥尔摩设计周期间,还展出了当地新兴设计人才的作品“Young Swedish Design 2019”/During Stockholm Design Week it hosted Young Swedish Design 2019, a showcase of emerging local talent

“展馆的形态逐渐显露,同时也为游客展示了历史建筑的新视角。这是策展思想的起点,也是社交空间,同时还是看与被看的空间,优秀的公共空间就该如此。”

摄影:Johan Dehlin

"Views into the gallery are gradually revealed, and it provides new perspectives on the historical building it sits within. It is an engine of curatorial ideas, and is an intensely social space, a place to see and be seen – what any good public space always is."
Photography is by Johan Dehlin.

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项目信息:
建筑设计:Dehlin Brattgård Arkitekter
客户:ArkDes (The Swedish Centre for Architecture and Design)
主创建筑师:Johan Dehlin, Johannes Brattgård
结构工程:DIFK (Florian Kosche)
项目管理:Erik Törnqvist
钢结构施工:Promostal
施工方:Eckerud EQT
Boxen平面标识:Studio Reko

Project credits:
Architect: Dehlin Brattgård Arkitekter
Client: ArkDes (The Swedish Centre for Architecture and Design)
Lead architects: Johan Dehlin, Johannes Brattgård
Structural engineer: DIFK (Florian Kosche)
Project manager: Erik Törnqvist
Steel construction: Promostal
Build: Eckerud EQT
Graphic identity for Boxen: Studio Reko

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