由专筑网雷君，vigo，卢荣姝编译

2015年5月1日，普利策艺术基金会带着新建筑新名字重新展现在人们的视线中。以前称为普利策艺术基金会，自称为“一个艺术不断发展的经验的圣殿”， 2001年在由日本建筑师安藤忠雄设计的建筑里创办。基金会请安藤再次为其旗下新美术馆进行设计，以拓展空间及愿景。不出所料，新建的画廊与现有的建筑简直就是浑然一体。摄影师Aaron Dougherty走访此地，为我们发来了一些照片。

On 1 May 2015 the Pulitzer Arts Foundation opened with an expanded building and a new name. Previously known as the Pulitzer Foundation for the Arts, the institution that calls itself "a sanctuary for the ever-evolving experience of art" opened in 2001 in a building designed by Japanese architect Tadao Ando. The Pulitzer called on Ando again for the design of new below-grade galleries that expand its space and its mission. Not surprisingly, the new galleries fit seamlessly with those in the existing building. Photographer Aaron Dougherty visited the building and sent us some photographs.

Washington Boulevard elevation with Contemporary Art Museum St. Louis (Allied Works, 2003) at right/右侧是华盛顿达到 及圣路易斯当代艺术馆（Allied Works, 2003）( Photo © : Aaron Dougherty )

在2014年5月普利策艺术基金会宣布将其2001年由安藤忠雄设计的建筑的下层改建为新的公共空间，用于展览、功能空间及艺术家为主导的活动。以前作为办公室和存储的空间就变成了两个新的画廊，将普利策的功能程空间增加了近50 ％， Pulitzker称其，“为机构未来的范围提供了可能。”就像第一个建筑物，普利策与安藤忠雄（还有当地的设计事务所Christner Inc.）一起“赋予了建筑美感和空间感觉。”

In May 2014 the Pulitzer Arts Foundation announced it would be transforming the lower level of its 2001 building designed by Tadao Ando into new public spaces for exhibitions, programs, and artist-driven activities. The spaces previously used as offices and storage would turn into two new galleries, increasing the Pulitzer’s programmable space by nearly 50 percent and, per a statement from the Pulitzker, "offer[ing] new possibilities for the scope of the institution’s vision." Just like the first building, the Pulitzer worked with Tadao Ando (and local architect Christner Inc.) to "honor the aesthetic and spatial sensibility of the building."

Courtyard view with Richard Serra's Joe, 2000, in foreground  Richard Serra's Joe/庭院景观，2000年，前院(Photo © : Aaron Dougherty )

自其首次开放以来，普利策馆即为内敛之所，非常适合艺术在城市的大中心艺术区安静沉思。但在2003年，圣路易斯（当代艺术博物馆CAM ）加入进来，由BradCloepfil及Allied Works设计的大楼与其毗邻而立。相似地采用了混凝土作为主要材料，共享一个庭院会使得两座建筑相辅相成。参观者去了这个建筑就会去另一个。

Since it first opened the Pulitzer building has been introverted, ideal for the quiet contemplation of art in the city's Grand Center arts district. But in 2003 it was joined by the Contemporary Art Museum St. Louis (CAM), which opened next door in a building designed by Brad Cloepfil and Allied Works. A similar material palette, namely concrete, and a plan that creates a shared courtyard make the two buildings good neighbors. A visit to one institution often includes a visit to the other.

One of the exhibitions in the reopened museum is Calder Lightness, featuring Alexander Calder's sculptures/重新开放的博物馆中的展览之一：Calder Lightness ，展出了Alexander Calder 的雕塑作品( Photo © : Aaron Dougherty )

The Calder pieces are visible near Ellsworth Kelly's Blue Black, a permanent artwork in the museum since 2001/在Ellsworth Kelly 的作品“蓝黑”旁边展出着Calder 作品，它是博物馆自2001年开始的永久展品 ( Photo © : Aaron Dougherty )

按照Pulitzker说法，“新的空间将...使普利策开拓更广阔的范围内与艺术家、策展人、社区合作伙伴和跨学科的创新者开展合作，并尝试促进访客的空间体验。”在五月博物馆重新开放之际，普利策带着三个展览走近这个有潜力的地方，后两个在扩建的新画廊展出：Calder 光明、 Richard Tuttle：线缆艺术，Fred Sandback： 64个三部组成品。

According to the Pulitzker statement, "The new spaces will ... enable the Pulitzer to develop a broader range of collaborations with artists, curators, community partners, and innovators across disciplines and to experiment with the visitor’s experience of the space." Upon reopening in May, the Pulitker approached this potential with three exhibitions, the last two in the expanded galleries: Calder Lightness, Richard Tuttle: Wire Pieces, and Fred Sandback: 64 Three-Part Pieces.

Ando's 2001 design places two bars astride a reflecting pool/安腾2001年设计的横跨反射池的2两个条形建筑 (Photo © : Aaron Dougherty )

The new below-grade galleries are accessed near the window overlooking the reflecting pool/2个新的低层画廊，位于俯瞰反射池的窗户旁( Photo © : Aaron Dougherty )

在大楼较低处的画廊可通过在俯瞰中央反射池的大幅落地窗旁的新台阶进入，围绕这个卓越的水景建立建筑的环路是为了改善参观者的动线。如预期一样，混凝土也被继续用作低层的材料，不过比楼上的更粗糙些。用于地面的木材较为普遍，是安藤通过它们努力给予新画廊平静与安宁。

The galleries in the building's lower level are accessed from a new stair near the large full-height window overlooking the central reflecting pool, in effect looping the building around this signature water feature in the aim of improving visitor movement. As expected, concrete continues into the lower level, but it is more sparse than upstairs. Wood, used for the floors, is more prevalent, giving the new galleries the calmness and serenity Ando was striving for.

The stair to the new below-grade galleries that occupy former administrative space/通往新的下层画廊的楼梯，那里曾经是行政办公空间 ( Photo © : Aaron Dougherty )

The new galleries opened in May 2015 with exhibitions on Fred Sandback and Richard Tuttle/新展馆于2015年5月开放，开幕展为Fred Sandback 和 Richard Tuttle ( Photo © : Aaron Dougherty )

作者：John Hil

Text by John Hill

项目名称：普利策艺术基金会
时间：2015年
地点：美国密苏里州 圣路易斯
委托方：普利策艺术基金会
建筑设计：Tadao Ando Architect & Associates，日本 大阪
联合设计：Christner Inc.
建筑用地面积：3,700 平方英尺 (扩建展区)，7,500 平方英尺 (2001年建筑的展区)
摄影：Aaron Dougherty

Pulitzer Arts Foundation
2015
St. Louis, MO, USA
Client: Pulitzer Arts Foundation
Architect: Tadao Ando Architect & Associates, Osaka, Japan
Associate Architect: Christner Inc.
Building Area: 3,700 sf (gallery space in expansion), 7,500 sf (gallery space in 2001 building)
Photographs: Aaron Dougherty


出处：本文译自www.world-architects.com/，转载请注明出处。