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克拉伦斯•里尔登中心 / GHD Woodhead第1张图片

由专筑网朱王倩,刘庆新编译

来自事务所的描述。在多学科方面具有领先地位的设计公司GHD Woodhead 最近完成了一个为澳大利亚墨尔本主要城市陵园设计的新的环保中心和行政机构。克拉伦斯•里尔登中心位于Springvale植物学公墓的中心地带,设计与其丰富的植物环境和谐相处。

From the architect. Leading multi-disciplinary design firm GHD Woodhead has recently completed a new carbon-neutral function centre and administrative headquarters for a major metropolitan cemeteries trust in Melbourne, Australia. Situated in the heart of Springvale Botanical Cemetery, the Clarence Reardon Centre was designed to sit in harmony with its lush botanical context.

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© Shannon McGrath

上面楼层的体量覆盖有高反光的双层玻璃,使它不仅很好演绎了严酷的澳大利亚气候,而且用其自然位置的形象遮掩了本身,而不是完成它。建筑长的、光滑并多变的形式抓住、延续了周围天空和树篷的颜色与形状,随着时间流逝和四季轮回变换和改变——这是一个美丽但短暂的生活形式。

The mass of the upper floor is clad in highly-reflective double-glazing, allowing it to not only perform well in the harsh Australian climate but also cloak itself in the imagery of its natural setting rather than compete with it. The building’s long, smooth and ephemeral form catches and continues the colours and shapes of the surrounding sky and tree canopies, shifting and changing as time passes and weather turns – a simple homage to the beautiful yet transitory patterns of life.

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© Shannon McGrath

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© Shannon McGrath

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© Shannon McGrath

该中心是一栋混合使用的建筑,包含7个灵活功能的房间,一层建有商用厨房、员工餐厅、咖啡厅和花店,同时客户的办公室占有一层开放式的办公空间1800平方米。

The centre is a mixed-use building that contains 7 flexible function rooms, a commercial kitchen, staff canteen, café and florist on the ground floor while the client’s head offices occupy 1800 m2 of open- plan office space on the first floor.

克拉伦斯•里尔登中心 / GHD Woodhead第6张图片
© Shannon McGrath

该建筑位于陵园的中心区,它作为聚焦点联系墓园的许多活动中心——这包括西边现存的小教堂、东南边新翻新的游客中心和南边维修中心。建筑满足在同一屋檐下多数客户的整合,以及形成墓园中期商业和环境设计策略的重要部分。

Sited within the cemetery’s central precinct, it serves as a focal point connecting the cemetery’s various centres of activity – these include existing chapels to the west, a newly-refurbished customer-facing centre to the south-east and maintenance facilities immediately to the north. The building allows for the consolidation of much of the client’s workforce under a single roof and forms a critical component of the cemetery’s medium-term business and environmental design strategy.

克拉伦斯•里尔登中心 / GHD Woodhead第7张图片
© Shannon McGrath

克拉伦斯•里尔登中心 / GHD Woodhead第8张图片
Ground Floor Plan/一层平面图

考虑到墓园的营运的敏感性和周围环境的关系,建筑的材料颜色选择了中性、永恒的色调,强调了原始颜色和高质量的混凝土、玻璃、青石和当地木材。主要强调在自然光的深入进入和室内空间视线出入,借助通高的透明玻璃和上面宽敞的天窗来实现。

In deference to the sensitive nature of the cemetery’s operations and ambience, the building’s material palette is deliberately neutral and timeless, emphasizing the raw colours and textures of high- quality in-situ concrete, glass, bluestone and local timbers. Great emphasis was placed on the permeation of natural daylight into and views out of interior spaces via full-height perimeter glazing and generous clerestory lighting from above.

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© Shannon McGrath

宽敞的青石铺地的行人空间和巨大的木质室外甲板,营造了无缝的街道体验,并拥抱东南侧一个古老的橡树。

Generous bluestone-paved pedestrian spaces and a large timber outdoor deck create a seamless street-level experience, and embrace a centuries-old gum tree to the south-east.

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First Floor Plan/二层平面图

克拉伦斯•里尔登中心 / GHD Woodhead第11张图片
© Shannon McGrath

在一层,建筑的支撑结构精心设计,以及优化的水泥柱被塑性为形成可操作墙的房间,以及广泛特点的柱子不仅表明入口和位置,也支撑了东南侧楼上悬挑的部分。这样,建筑大量的楼上体块似乎是悬浮的,与环境融为一体,降低了其视觉冲击。

On the ground floor, the supporting structure of the building was carefully refined and optimised – concrete columns were shaped to form housings for operable wall panels, and a sweeping feature column serves not only to signify entry and address but also support a large overhanging portion of the upper floor on the south-east. In this way, the substantial upper mass of the building appears to float and dissolve into its environment, reducing its visual impact.

克拉伦斯•里尔登中心 / GHD Woodhead第12张图片
© Shannon McGrath

而且除了令人印象深刻的全景外观,克拉伦斯•里尔登中心预想成为当地自然代表建筑的领导者,其设计的碳排放系统评级为一星以下。一侧形成高性能的双层玻璃幕墙立面,建筑利用其巨大的开放屋顶区域去收集雨水和太阳能。

In addition to its impressive panoramic exterior, the Clarence Reardon Centre was envisioned to be a local leader of environmentally responsive architecture, designed to be carbon-neutral under the One Planet rating system. A side from a high-performance double-glazed façade, the building leverages its large open roof area to harvest rainwater and solar energy.

克拉伦斯•里尔登中心 / GHD Woodhead第13张图片
© Shannon McGrath

建筑上层的体块悬垂在一层上方,减少太阳耀眼的光照,使房子前面空间的通高的双层窗提供室外景观的最大视角。在西立面,建筑的立面和楼板闯入立面,直接的视觉玻璃幕墙阻挡严酷的夕阳照射,并创造周边树阵的千变万化的反射,使夕阳仅留出轮廓。

The upper volume of the building overhangs the ground floor to reduce glare and direct solar gain, allowing full-height double-glazing to front-of-house spaces that provide maximised views out into the landscape. On the western elevation, the building ‘s façade and floor plate break into faceted planes that direct vision glazing away from the harsh evening sun and create kaleidoscopic reflections of nearby tree lines silhouetted against the setting sun.

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© Shannon McGrath

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© Shannon McGrath

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Diagram 1/图解 1

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Diagram 2/图解 2

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Diagram 3/图解 3

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Diagram 4/图解 4

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Drawing 1/绘图 1

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Drawing 2/绘图 2

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Drawing 3/绘图 3

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Drawing 4/绘图 4

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© Shannon McGrath

建筑设计:GHD Woodhead
地址:澳大利亚,墨尔本
建筑摄影:Shannon McGrath
GHD团队:Mark van den Enden, Martin Palmer, Joel Lee, Cameron Ross, Simon Scillio, Dan Webster, Katherine Voyage, Aline Lorenzon, Jeni Dongel, Steve Hansen, Ljubisa Petrovic, Jim Hexter, James Zhang, Tai Hollingsbee, Ryan Tanner, Paul Chan, Sam Adams
结构/建筑服务建造:GHD
立面建造:BG&E Facades
基地测量员: Taylors
建筑测量员:Floreancig Smith
内部设计:Tracy Lucas
建筑商:ADCO
家具供应商:Hub
景观建筑:GHD Woodhead
文本:Joel Lee

Architects: GHD Woodhead
Location: Melbourne VIC, Australia
Photographs: Shannon McGrath
GHD Team : Mark van den Enden, Martin Palmer, Joel Lee, Cameron Ross, Simon Scillio, Dan Webster, Katherine Voyage, Aline Lorenzon, Jeni Dongel, Steve Hansen, Ljubisa Petrovic, Jim Hexter, James Zhang, Tai Hollingsbee, Ryan Tanner, Paul Chan, Sam Adams
Structural / Building Services Engineering : GHD
Façade Engineering : BG&E Facades
Land Surveyor : Taylors
Building Surveyor : Floreancig Smith
Interior Design / Consultant : Tracy Lucas
Builder: ADCO
Furniture Supplier : Hub
Landscape Architecture : GHD Woodhead
Text: Joel Lee

出处:本文译自www.archdaily.com/,转载请注明出处。


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