建筑师： Fernandez-Abascal y Muruzabal + Ortiz y Barrientos + Ulargui y Pesquera
地点：西班牙，坎塔布里亚，卡米亚斯，
设计团队：Alberto Alonso Ortiz, Joaquín Barrientos Barquín, Eduardo Fdez.-Abascal Teira, Floren Muruzábal Sitges, Eduardo Pesquera González, Jesús Ulargui Agurruza
面积：8,869平方米
年份：2010
摄影：Duccio Malagamba
合作者：Cristina Gómez Abecia, Carlos Gomez Santos
管理执行官：Roma Ingeniería
结构：Francisco de la Torre
安装：JG inconor
发起人：索谢达，Comillas学校的房地产商

在十九世纪的最后几十年中，由于Comillas贵族的努力， Comillas这个城镇变成了加泰罗尼亚现代主义初期的一个中心。

而这个学校的重建则是源于耶稣信徒们的一些草图和工程师Miguel de Alcolado，后来是Joan Martorell和Lluis Domenech i Montaner开始致力于这个项目使它能达到具有纪念性和人们期望的样式。

该大楼有一个学术派风格的设想，两个由许多实用性的房间形成的回廊的和一个在学术上有重大意义的中心区域。

90年代，当这个想法被放弃时，那时的情况真是非常糟糕的。尽管一系列的由于时间和使用缺乏而导致的严重破损问题被发现，但那些标志性的建筑空间，大厅，正殿和教堂的立面还只是做了最低限度的改动。

其余的空间经过了多重的处理，使得整个建筑的表面超越了设回廊的建筑的风格。而在极短时间内相互改变这一举动也导致了严重的后果。这个项目在建设的两个不同领域提出了两种互补渗透的程度。

一方面，用大量的翻修来维护和保存位于中心区域最有艺术性的空间，以恢复其原有的壮丽。相互的渗透是通过充实一些小的旨在限定和拓展空间达到的。

我们通过开洞寻求建筑各部分之间的渗透关系，使整个教会厅能有更为充分的自主。我们设计新的由自然与现代主义的元素混合在一起的墙壁和地板，并在带有复折屋顶上的观众席中创造出一个具有魔幻色彩的空间。

另一方面，我们提出了在回廊方面的进行更深入彻底而深入的复原，试图改变整个建筑的沉重的体量感。我们认为没有必要在这里花和前面相同的精力来做，

我们决定以更自由的方式进行，按要求引进新的程序和技术。同时我们拆除了大部分建筑并再独立建造。我们认为砖墙的全部特点表现出来是必须的。并利用一面介于旧的和废弃之间的新墙解决了工程技术方面的大部分问题。

新建的墙体通过它们系统的洞的相似性阐述了视觉和功能的大厅和回廊之间的关联。墙由两块画布组成，而墙由白色的混凝土砖支撑着，他们也支撑着修复后的最初的建筑立面。

墙截面组织着这种相互的介入并使其中空的内部，呼吸和运行所有的设施成为可能。一面光滑的墙，就如“灰泥”反射光线并和最初的的具有砖石显著的纹理墙壁形成对比，在墙的顶层折叠并创造了一个巨大的顶棚。

在这里，我们创建了一个增强了本层房间功能的玻璃周边走廊，它通过拆除双重斜坡屋顶的厚板来限制并为阁楼创造出意想不到的天光。不同的楼层都根据新的墙和不同的中心和服务来布置，它们被精确的布置在塔中，生成灵活的可以被分配给多种用途的空间。教堂将填满整个新的区域，而这将行成大会堂。

需要一个大的空间来布置新的服务设施设备。这座新的建筑诞生在老足球场的下方，并充分利用到和研讨会厅有相通长度的长地块上的这个地形。

在修复好的的中央机构和外墙上，应该注意到的是不同的结构性关连,手工玻璃修复、油画、青铜器、膏药…和在原来的水磨石上出现的新材料、胡桃木护壁,卡门拉瓷砖…

在回廊上，和白色的历史悠久的工厂对比上，混凝土地砖和墙面吸引了所有的眼球。路面是由道格拉斯松做成的，同时我们解决了带有深梁的配筋砌体屋顶的难题。第一阶段，我们已经恢复了东回廊和中心区域的大致面貌。我们希望我们可以继续工作以恢复这一重要的建筑。

特别鸣谢翻译一组13号谢赣鹏提供的翻译，译稿版权归译者所有，转载请注明出处。

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Duccio Malagamba
Architects: Fernandez-Abascal y Muruzabal + Ortiz y Barrientos + Ulargui y Pesquera
Location: Comillas, Cantabria, Spain
Design Team: Alberto Alonso Ortiz, Joaquín Barrientos Barquín, Eduardo Fdez.-Abascal Teira, Floren Muruzábal Sitges, Eduardo Pesquera González, Jesús Ulargui Agurruza
Area: 8,869 sqm
Year: 2010
Photographs: Duccio Malagamba

Collaborators: Cristina Gómez Abecia, Carlos Gómez Santos
Management Execution: Roma Ingeniería
Structure: Francisco de la Torre
Installations: JG inconor
Promotor: Sociedad Activos inmobiliarios Campus Comillas

In the last decades of the nineteenth century, thanks to the Comillas Lord, the town became a hub of the incipient Catalan Modernism. The seminary began with some sketches of Jesuit and Engineer Miguel de Alcolado, later on Joan Martorell and Lluis Domenech i Montaner started to work in the project giving the building the monumental and desired style.

The building has an academic style plan, with two cloisters with functional rooms and a central body with significant institutional spaces. After its abandonment in the 90s, it was in a terrible condition. The most remarkable architectural spaces, the lobby, the main hall and the church facades had minimal alterations, although they presented a significant deterioration due to time and lack of use. The rest of the spaces had suffered multiple interventions that trumped the apparent clarity that promises cloistered architectural type. The diseases caused by an extremely experimental construction at the time demanded swift action. The project proposes two complementary intervention degrees in two different areas of the building.

On one hand, the maintenance and conservation of most artistic spaces, located in the central body, with extensive renovation to restore its original splendor. The intervention is enriched with small specific actions intended to qualify and reclaim the spaces. We open holes looking for permeability between parts of the building, the church gets greater formal autonomy. We design new walls and floors which naturally mixed with the modernist elements and we recreate a magical space in the mansard on the auditorium.

On the other hand, it raises a more intensive rehabilitation in the cloisters, trying to transform its oppressive character. We consider there is no need here to keep the same effort restorer we decide to operate more freely, introducing new programs and technologies as required. We demolish most of the building and built in vacuum. The brick walls remaining acquire all its expressiveness. We solve most of the project technical aspects with a new wall, following the traces of the old and obsolete intermediate one.
The new wall articulates the relationship between visual and functional halls and cloisters, through the systematic order of their holes. The wall consists of two canvases where white concrete slabs are supported and they also brace the restored original facades. The wall section organized the intervention and allows for its hollow interior, breathe and run all the installations. A smooth wall, as a “stucco” concrete reflects light and contrasts with the marked masonry texture of the original walls. The wall is folded on the top floor creating a large canopy.
There, we create a glazed perimeter gallery that enhances the functionality of the rooms of this floor, qualified by the demolitions of the mansard slab, converting the attics in unexpected skylights. The different floors were arranged according to the new wall and the position of the cores and services, which are arranged precisely at the towers, generating flexible spaces that can be allocated to multiple uses. The new spaces are complemented by the church, which should become the great hall.

New uses require a large space for service installations. This new building appears under the old football pitch, taking advantage of the topography, in a long block with the same length as the Seminar. In the rehabilitation of the central body and the facades, it is worth remark the different structural interventions, artisanal glass restorations, paintings, bronzes, plasters … and the emergence of new materials in situ terrazzo, walnut baseboards, Cumella tiles … In the cloisters, the concrete of the slabs and the wall gain all the attention, contrasting with the whitewashed historic factory. Pavements are made of Douglas pine and we solve the roof with deep beams of reinforced masonry. In the first phase, it has been rehabilitated the eastern cloister and the central body. We hope that we can continue the works to recover this important building.