由专筑网朱王倩，刘庆新编译
来自建筑事务所的描述：线条的创造，视觉表现的产生，从写作的开端到抽象的洞穴壁画，再到和数学公式，已经成为整个艺术、科学和技术史上的一个汇合点。所有这些使用图表化去表达新奇的想法。黑色背景上的线条时短时长，时细时宽，似乎代表着方向，又像是在移动，有时是聚集或分散。非常吸引人，线条画永久地将世界分为两半。孤立的线同时分离并联系各自世界映射到自己身上。
From the architect. The creation of a line, this birth of the visual act, has been a meeting point throughout history of art, science and technology from the dawn of writing to the abstractness of cave drawings and the penning of mathematical formulas. All of them make use of graphics to express a novel idea. A line on a dark background¬ short or long, thin or thick ¬sometimes¬ expresses orientation or movement, at times convergence or divergence, pain and freedom, connection or physical repulsion. It is one of the most fascinating of its properties ¬that the very border, which a line draws also permanently breaks worlds in two. A single lines simultaneously divides and connects separate worlds¬ each one onto himself.
© Amit Geron
从前面看，Beit Mor看起来像整体铺设而成，有着深色的、单一的色调。三个矩形体块彼此叠合，显得平静、稳定、内敛，表现为巨大的体块。
Viewed from the front, Beit Mor looks like a monolithic operation of materials with a deep, monochromatic range of colors. Three rectangular prisms, lain upon one another, into a peaceful composition, stable and subdued, appearing as heavy masses.
© Amit Geron
© Amit Geron
© Amit Geron
该建筑中你会发现一个戏剧性的材料搭配——巨大的混凝土和玻璃板，创造出有着流动线条的半透明墙。
A second, discerning glance reveals a dramatic encounter of materials taken from two separate worlds poured, massive concrete and glass panels, creating a semitransparent wall with a decisive line running through it.
© Amit Geron
各种各样的不透明玻璃镶嵌在混凝土框架中，创造出一致的建筑结构和自然的特别外形。玻璃控制了光线的进入。这样光屏幕以最普遍的方式产生——多样、深度、动态的可容纳画布，改变那些穿过光线的光。
The variations of opaque glass yields a colossal appearance of yet more concreteness unifying the building’s construction¬ yet still natural. The glass acts to embrace the light ¬allowing it to pour in, controlling its every move. Thus a screen of light is rendered in the most literal way- a receptive canvas of variation, deep and dynamic, adapting to those who pass through its rays of light.
© Amit Geron
在其余的玻璃结构里，线条以轻盈的形式回归，强调东立面的移动，在已经安装透明窗户的南立面绘出一个暴露的清晰的部分。这样前立面是抽象的创造，确保特性和功能的混合，后立面生动地表达三维空间，深度的探索和明亮、自由的感觉。
Within the remaining glass of the structure the line returns with the force of a quill¬ emphasizing the movements of the eastern facade, painting an exposed, clear slice withing the southern facade in which the utilization of transparent windows has been executed. Thus while the front facade is an abstract creation conceptually assuring the blending of identity and function, the rear facade graphically expresses three ¬dimensionality, the probing of depth and the feeling of brightness and freedom.
© Amit Geron
侧立面表达暴露和光照的过程开始于面向不透明立面，并使立面朝向院子和水池。在典型不同立面的透明变化的水平倾斜处由相同的石基底组成。
A glance at the side facades explains the process of exposure and illumination beginning at the opaque facade facing the road and leading to the facades facing the yard and pool. A gradient of inter¬changing levels of transparency between characteristically different facades made of the same foundation stones.
© Amit Geron
© Amit Geron
该建筑入口在中庭花园的西边，从地下室开始，通向客厅，将客人引进室内。
The entrance to the home occurs on the western side at the patio garden starting from the basement leading to the living rooms, accompanying visitors by degrees from the outer to the inner worlds.
© Amit Geron
© Amit Geron
© Amit Geron
Floor Plan/平面图
客厅是双倍大小，朝向在同一楼层的书房入口可看到的南侧花园。两个楼梯通向生活区，一个降低通向孩子的活动区。另一个升到两个其他楼层，一个包含孩子的起居室，另一个是父母的房间。
The living rooms are double in size and face the southern gardens visible from a library entrance on the same level as the private rooms. Two staircases lead to the living areas, one descending to the children’s area and another ascending to two additional levels¬ one containing the children’s living rooms and another with the parents rooms.
© Amit Geron
儿童活动区有两个庭院，沿着孩子的地方，一个平台上升到入口，连接入口的天井，另一个沿着东侧提供阳光、空气和足够私密空间。楼层转角处还提供休息，私人院落和个人体育室，是孩子们的私人世界。
Two yards run along the children’s quarters, one is a patio ascending to the entrance and the other runs along the eastern side providing light, air, and an abundance of privacy. The function of the floor¬ corners for sitting, a private yard, and personal gym¬ attest to the private world of children.
© Amit Geron
© Amit Geron
空间的设计和分散的四个平面创造出最大的隐私，尽管没有一面是完全暴露于它们外界入口。这样混凝土结构和多样透明的玻璃被创造出来了，两种材料彼此融合与淹没，就像是客人被这结构吸引一样。
The design of the space and their dispersal upon four planes creates in each one a sense of maximal privacy and although none is entirely exposed each of them comfortably access the exterior. Thus a structure of concrete and glass of various transparencies is created, the materials stray between one another as the visitor strays between the structure itself.
© Amit Geron
© Amit Geron
© Amit Geron
© Amit Geron
© Amit Geron
© Amit Geron
© Amit Geron
© Amit Geron
© Amit Geron
© Amit Geron
© Amit Geron
© Amit Geron
© Amit Geron
© Amit Geron
© Amit Geron
© Amit Geron
© Amit Geron
© Amit Geron
© Amit Geron
© Amit Geron
© Amit Geron
Section/剖面图
Elevation/立面图
建筑设计： Pitsou Kedem Architects
项目地址：以色列，拉玛特干
设计团队：Pitsou Kedem, Noa Groman
主建筑师：Noa Groman
项目面积：500平方米
项目时间：2014年
建筑摄影： Amit Geron
灯光设计：Orly Avron Alkabes
照片设计：Eti Buskila
Architects: Pitsou Kedem Architects
Location: Ramat Gan, Israel
Design Team: Pitsou Kedem, Noa Groman
Architect in Charge: Noa Groman
Area: 500.0 sqm
Project Year: 2014
Photographs: Amit Geron
Lighting: Orly Avron Alkabes
Styling for Photographs: Eti Buskila
出处：本文译自www.archdaily.com/，转载请注明出处。
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