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“不饱和落日色调“的灯具陈列室第1张图片


类似情绪绘画的洛杉矶陈列室
Apparatus designs Los Angeles showroom to resemble moody paintings

由专筑网卓拉,李韧编译

阴暗的拱廊、破碎的地板和“不饱和的日落色调”构成了纽约照明品牌Apparatus的全新洛杉矶西海岸展厅背景。

好莱坞麦卡登广场(McCadden Place)一处5000平方英尺(465平方米)的翻新仓库空间,已成为该品牌的第三家门店,此前该品牌在纽约开设了首家门店,在米兰开设了一家欧洲中心门店。

Shadowy arcades, cracked flooring and "desaturated sunset tones" form the setting for New York lighting brand Apparatus' first West Coast showroom in Los Angeles.
A 5,000-square-foot (465-square-metre) renovated warehouse space in Hollywood's McCadden Place has become the third location of the brand, following its first outpost in New York and a European hub in Milan.

“不饱和落日色调“的灯具陈列室第2张图片


七年前,在纽约成立照明工作室之前,该公司联合创始人Gabriel Hendifar和 Jeremy Anderson在加州相遇。

创意总监Hendifar负责该品牌在洛杉矶的设计,这是一个前电视制作工作室,周围是古董品牌JF Chen和Blackman Cruz的展厅,以及Ralph Pucci和Regen的艺术画廊项目。

Branching across to the West Coast marks a full circle for Apparatus co-founders Gabriel Hendifar and Jeremy Anderson, who met in the Californian city seven years ago, before setting the lighting studio up in New York.
Creative director Hendifar oversaw the design of the brand's Los Angeles location – a former television production studio surrounded by showrooms for antiques brands JF Chen and Blackman Cruz, and art galleries Ralph Pucci and Regen Projects.

“不饱和落日色调“的灯具陈列室第3张图片


空间的调色板利用“不饱和的日落色调”来提亮设备照明、家具和家庭用品的金属和单色色调。

细节包括带有精致裂缝的石质地板,深色纹理的折叠门,以及金色和奶油色的地毯。

灰泥覆盖着天花板和墙壁,形成中性的背景,并且有着许多装饰、吊坠及烛台。

拱门穿过石膏板,大小不一,从两个巨大的开口到一系列小型拱门,最终形成拱廊。

The palette of the space draws on "desaturated sunset tones" to complement the metallic and monochrome hues of the Apparatus' lighting, furniture, and home objects.
Details include a stoney floor with delicate cracks, dark textured folding doors, and golden and cream rugs.
Pale hand-troweled plaster covers the ceilings and walls throughout to provide a neutral backdrop, with many decorated with groups of pendants or sconces.
Archways repeatedly puncture the plasterwork, and vary in size from two huge openings to a series of smaller arches that form an arcade.

“不饱和落日色调“的灯具陈列室第4张图片


设计方案让人联想起意大利艺术家Giorgio de Chirico的画作,他为Hendifar空间提供了许多灵感。

其中一个大区域也很像室外庭院,一棵大树从巨大的石质花盆中生长出来,旁边是一张配套的桌子和一张柔软的沙发。

The architectural feature evokes the paintings of Italian artist Giorgio de Chirico, who provided Hendifar with many cues for the space.
One of the large areas also resembles an outdoor yard, with a tree growing up from a huge stony planter, alongside a matching table and a velvety sofa.

“不饱和落日色调“的灯具陈列室第5张图片


另外,环绕空间的高窗所形成的光影关系也参考了这位20世纪画家的作品。

这些开口是展厅内自然光的主要来源,展厅没有面向街道的窗户,很像该品牌在曼哈顿中心的室内布置。

然而,位于街道楼层的网格钢架和玻璃入口比东海岸的另一座建筑来的要显眼得多。

Other details referencing the 20th-century painter's work are the strong shadows cast by the high clerestory windows that run around the spaces.
These openings are the main source of natural light within the showroom, which doesn't have any street-facing windows, much like the inward arrangement of the brand's Manhattan hub.
However the gridded steel and glass entrance is much more prominent than the East Coast counterpart, which is located several storeys above street level.

“不饱和落日色调“的灯具陈列室第6张图片


在洛杉矶入口一侧的两个砾石面大约应用了三吨的材料,Hendifar谨慎地将这些材料用在整座展厅的墙壁上。

Appartus的全部藏品包括从Wiener Werkstatte艺术运动(Wiener Werkstatte art movement)汲取灵感的艺术品,还有用于古代仪式的礼仪物品,以及近期的Hendifar's Persian遗产,它们都在展厅中展出。

Two squares of gravel flank either side of the entrance in LA, among the three tonnes of the material that Hendifar has discreetly used to skirt the walls throughout the showroom.
Appartus' full range – which includes collections that drawn inspiration from the Wiener Werkstätte art movement, the forms of ceremonial objects used for ancient rituals, and most recently Hendifar's Persian heritage – are displayed across the showroom.

“不饱和落日色调“的灯具陈列室第7张图片


还有从附近JF Chen那里购买的古董,以及当地艺术家Robert Moreland和 Amir Nikravan的作品,它们都有着Hell's Walsted风格特征。

纽约照明品牌Apparatus于2012年由Hendifar和合伙人Anderson共同创立。多年来,这对搭档在设计界的影响越来越大,他们已经成为一年一度的纽约设计周之中的固定人员。

摄影:Wichmann + Bendtsen

There are also antiques sourced from neighbouring JF Chen, and works by local artists Robert Moreland and Amir Nikravan, styled by Hell's Walsted.
Apparatus was founded by Hendifar and partner Anderson in 2012. Over the years, the duo has become influential among the design community, with their annual New York design week discos now a notorious fixture on the industry calendar.
Photography is by Wichmann + Bendtsen.

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