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将过去意识装进现代容器里丨葡萄牙Tipografia do Conto酒店第1张图片


Tipografia do Conto Hotel / Pedra Líquida

由专筑网小R编译

Tipografia do Conto酒店项目近期提名2022年欧洲密斯奖,这是一个连接着住宅、旅行,以及文化活动的多功能空间,其中包含有10个房间,以及一个带有多功能区域的地面层空间,建筑结合了传统的现有建筑的记忆,同时避免了诸如波尔图等许多欧洲城市那样给人们的大众感受。曾经的工作坊被改造为家庭规模的结构,用于容纳全新的酒店用房,该项目拒绝任何形式的建筑模仿,建筑师则是将早起环境中的元素整合到现代化设计之中。

Text description provided by the architects. The project of the Hotel Tipografia do Conto, recently nominated for the EU Mies Award 2022, is a multifunctional space that links residential tourism and cultural events. It comprises ten rooms and a wide ground floor with multipurpose areas. Its architecture incorporates several memoirs of a pre-existing building and avoids the generic tourist offer which has been gentrifying many European cities (like Porto). This former Typographic Workshop was transformed into a domestic-scale structure in order to include the new Hotel rooms. The project refuses any kind of architectural pastiche; instead, it recovers remnants of elements of that earlier condition integrating them into a contemporary design.

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该项目从一座建造于1916年的现有院落中分离出来,这座院落曾经用于容纳小型工业活动,其中包含有印刷工作坊,这些功能后来不再使用。在之后的几年时间里,这座建筑的结构开始恶化,无法适用于新功能,曾经的功能记忆则保留在全新的酒店设计中,建筑师应用石材于立面之中,并且重新应用了中央庭院,满足采光与通风,尤其在地面层,整体内部空间十分灵活。

The project departs from an existing compound erected in 1916 to house small industrial activities (a Typography and a Graphic Workshop), which has since closed down. Over the last few years, the structure of the building has deteriorated, making it impossible to fully reuse it for the envisaged new functions. From this previous Workshop occupation, some memories remain at the new Hotel design: the main stone façade (in Deco style), the reuse of the central patio for lighting and ventilation, and its internal spatial flexibility, especially at the ground level.

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这种构思也延伸在中庭周围的立面之中,Riga木材结构的组合应用,这是对于曾经空间中横梁的再次应用,除此之外,天花板上的装饰元素则是通过浅层浮雕而构成,表达了曾经的印刷理念。

This evocation is extended to the design of the new façades around the patio – a typographic composition in a Riga wooden structure (reusing the beams of the former Workshop) –; but also, to the decorative elements on the ceilings, formed by bas-relief texts which allude to the idea of printing and typographic publishing.

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酒店房间让人联想起老车间的氛围、天花板的比例、空间中玻璃柜放置的方式、优雅木质表面的回声,所有的房间都有特定的剧本,分别通过十位作者来书写,这些作者有作家,也有设计师与建筑师。剧本转换为文本插入混凝土天花板表面,精准的金色金属剪刀从天花板背影中脱颖而出,让这些剧本看起来更加丰富,地面层包含有宽敞的文化咖啡厅,这仍然是一个长且灵活的空间,使用者可以进入到中央院落以及后院之中,这里也可以用于不同的文化活动,连接着室内外空间。

The Hotel rooms recall the old Workshop ambiances: in the proportions of the ceilings; in the way the glassed toilets’ cabinets are placed in the space; in the echoes of the elegant wood surfaces. All rooms are covered by specific scripts, written by ten selected authors, from writers to designers or architects. The scripts are converted into typographic text(ures) and inserted on the surface of the concrete ceilings. Punctual golden metal shears stand out from the ceiling backdrops, enriching the reading of those scripts. The ground floor, which includes a wide Cultural Café, remains a long and flexible space, giving access to the central patio and backyard. It is used as a “stage” for different cultural events intermediating between outdoor and indoor.

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一般来说,混凝土是这个项目的基本元素,它包含了三种质地,即天花板和人行道的光滑质地、室内墙体的条纹质地、背立面的粗糙质地。在建筑内部,混凝土结合着金色金属元素应用在天花板、楼梯扶手、电梯柱子装饰之中,这在粗糙和细腻之间构成了理想的对比,在中央院落,全新的木质立面和侧面的白色抽象地毯之间建立了另外一种关系,让人联想到曾经的印刷工厂,所有的公共区域延长了空间中的对比关系,这种关系存在于裸露的混凝土和镀金金属表面之间、全新细部和再利用家具对象之间。

In general terms, concrete (liquid stone) is the basic element of this project. Concrete is moulded or finished in three kinds of textures: “smooth” for ceilings and pavements; “striped” for the interior walls; and “rough” for the back facade. Inside, the concrete is accompanied by punctual elements in golden metal – in the decoration of ceilings, stair handrails and elevator columns – creating a desired contrast between roughness and refinement. In the central courtyard, another relationship is established between the new wooden facades, evoking the typographic plates that existed there, and an abstract carpeting of white tiles on the sidewalls, which reflects the light. All common areas prolong that contrasting relationship between the exposed concrete and the gilded metal surfaces, between new details and recycled furniture objects.

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建筑设计:Pedra Líquida
类型:酒店
面积:514 m2
时间:2019年
摄影:Fernando Guerra | FG+SG, Alberto Plácido
制造商:AutoDesk, Duravit, Fluxograma, GRUPNOR
主创建筑师:Nuno Grande
声学:Amplitude Acoustics
景观设计:Platanus
结构设计:AB PROJECTOS
热工工程:GET Gestão de Energia Térmica
设计团队:Alexandra Coutinho, Guiomar Rosa, Nuno Grande, Jorge Gomes, Rita Basto
监督:Ana Sousa
景观:Nuno Sousa
客户:Casa do Conto  
视觉标识:R2 Design
城市:波尔图
国家:葡萄牙

HOTELS
PORTO, PORTUGAL
Architects: Pedra Líquida
Area: 514 m2
Year: 2019
Photographs: Fernando Guerra | FG+SG, Alberto Plácido
Manufacturers: AutoDesk, Duravit, Fluxograma, GRUPNOR
Lead Architect: Nuno Grande
Acoustics: Amplitude Acoustics
Landscape Design: Platanus
Structure: AB PROJECTOS
Thermal engineer: GET Gestão de Energia Térmica
Design Team:Alexandra Coutinho, Guiomar Rosa, Nuno Grande, Jorge Gomes, Rita Basto
Supervision:Ana Sousa
Landscape:Nuno Sousa
Clients:Casa do Conto
Visual Identity:R2 Design
City:Porto
Country:Portugal

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