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植物画廊——沉思的场所第1张图片


Botanical Pavilion // Kengo Kuma and Associates & Geoffrey Nees

由专筑网Martijn,小R编译

隈研吾与澳大利亚艺术家Geoffrey Nees合作回应了韩国艺术家Lee Ufan为维多利亚国家美术馆2020年三年展创作的《对话2017》的哲学本质。 通过创建新的建筑装置——一座画廊规模的圆形画廊充当了感官的步道,以此接近和思考Ufan的绘画。

Text description provided by the architects.
Kengo Kuma collaborates with Australian artist Geoffrey Nees to respond to the philosophical nature of Korean artist Lee Ufan’s painting Dialogue 2017 for the National Gallery of Victoria’s 2020 Triennial. Through the creation of a new architectural installation, a gallery-scale circular pavilion acts as a sensorial walkway through which to approach and contemplate Ufan’s painting.

植物画廊——沉思的场所第2张图片

© Kengo Kuma and Associates, Geoffrey Nees

植物画廊——沉思的场所第3张图片

© Kengo Kuma and Associates, Geoffrey Nees


2020年植物画廊采用日本传统的木建筑结构,在张力和重力的作用下各个部分相互交织,2020年植物展馆采用了在墨尔本皇家植物园收集了数年的回收木材所制的精致的镶嵌内饰。 该建筑中某些树木的使用早于欧洲殖民时期,而另一些则是数十年来园艺的发展的信号,标志着它们在科学研究和植物分类的中的作用。

Made in the Japanese tradition of wooden architecture, where pieces interlock, held by tension and gravity, the Botanical Pavilion 2020 features a sublime tessellated interior lined with reclaimed timber collected over several years at Melbourne’s Royal Botanic Gardens. Some of the trees used within the architecture pre- date European settlement, whilst others signal the development over decades of the Gardens marking their role as a site of scientific research and botanical classification.

植物画廊——沉思的场所第4张图片

© Kengo Kuma and Associates, Geoffrey Nees

植物画廊——沉思的场所第5张图片

© Kengo Kuma and Associates, Geoffrey Nees


优先考虑自然现象而不是科学顺序,用颜色标记所使用的植物物种,而不是遵循任何分类顺序。 这种方法为建筑师提供了一份反殖民时代科学还原性的声明,一种与许多原住民文化信仰和知识体系所不同的思维方式。

Prioritising natural phenomena over scientific orxder, the botanical species used are colour coded, rather than following any taxonomic order. This approach offers a statement by the designers against the reductive nature of science during the colonial era – a mindset at odds with many Indigenous cultural beliefs and knowledge systems.

植物画廊——沉思的场所第6张图片

© Kengo Kuma and Associates, Geoffrey Nees

植物画廊——沉思的场所第7张图片

© Kengo Kuma and Associates, Geoffrey Nees


植物馆提供了一个沉思的场所,使我们思考我们与自然彼此之间的关系。

Botanical Pavilion offers a site for contemplation, reminding us of our relationships to nature and one another.

合作公司:McCorkell Brown Group (https://mccorkell.net.au) , Manresa Constructions (https://manresa.com.au) , OEM Viridi Pty Ltd (https://vuv.com.au) , Bowens Timber & Hardware (https://bowens.com.au ), Peninsula Wood Machining, The National Gallery of Victoria (https://www.ngv.vic.gov.au/) ; Team: Kengo Kuma – Architect, Geoffrey Nees – Artist, Anteo Sanada – Architect, Yasmine Zahlan – Architect, Howard McCorkell – Builder, Mike McCormick – Fabrication, Tom McKenny – Fabrication, Stefan Lacombe – Fabrication, Troy Prollius – Fabrication

Collaborating Firms: McCorkell Brown Group (https://mccorkell.net.au) , Manresa Constructions (https://manresa.com.au) , OEM Viridi Pty Ltd (https://vuv.com.au) , Bowens Timber & Hardware (https://bowens.com.au ), Peninsula Wood Machining, The National Gallery of Victoria (https://www.ngv.vic.gov.au/) ; Team: Kengo Kuma – Architect, Geoffrey Nees – Artist, Anteo Sanada – Architect, Yasmine Zahlan – Architect, Howard McCorkell – Builder, Mike McCormick – Fabrication, Tom McKenny – Fabrication, Stefan Lacombe – Fabrication, Troy Prollius – Fabrication.

植物画廊——沉思的场所第8张图片

© Kengo Kuma and Associates, Geoffrey Nees

植物画廊——沉思的场所第9张图片

© Kengo Kuma and Associates, Geoffrey Nees

植物画廊——沉思的场所第10张图片

© Kengo Kuma and Associates, Geoffrey Nees

植物画廊——沉思的场所第11张图片

© Kengo Kuma and Associates, Geoffrey Nees

植物画廊——沉思的场所第12张图片

© Kengo Kuma and Associates, Geoffrey Nees

植物画廊——沉思的场所第13张图片

© Kengo Kuma and Associates, Geoffrey Nees

植物画廊——沉思的场所第14张图片

© Kengo Kuma and Associates, Geoffrey Nees


项目状态:已建
年份:2020年
面积:5000平方英尺-10,000平方英尺
预算:10万 – 50万

Project Status: Built
Year: 2020
Size: 5000 sqft – 10,000 sqft
Budget: 100K – 500K

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