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Appreciation towards Petr Hajek Architekti for providing the following description:

该建筑位于KRNAP国家公园内,后面是该公园的行政大楼。建筑几何线形的灵感来源于Krkono?e山峰的形状。每一个边角和坡度都能在真实的自然地形中找到对应。代表山脊形状的金属体中间种上了景天属植物。新建的大楼与原有建筑之间的距离成为了入口平台。这是一个公共空间,侧面是整面的玻璃墙,透过它可以看到建筑内部的布局。玻璃墙的设计进一步强化了空间的公共氛围,而这种氛围又与内部的讲座和研讨会氛围间接地合为一体。建筑采用节能设计,体现了保护自然和国家公园的主题。主要承重结构和地下墙体均采用混凝土筑成。内部隔断和家具由胶合板制成。家具的设计和基本部件根据胶合板的尺寸进行设计以减少材料浪费。

The building is situated into a city park in front of the administration building of KRNAP (Krkono?e Mts. National Park). The building geometry is derived from the geometry of Krkono?e Mountains. Every edge or slope on the building could be found in its real, natural topography. In between of the metal vectors, which represent the mountain ridges, there is growing sedum. The new building is set apart from the existing one to create an entrance platform. This public space atmosphere is supported by fully glazed side wall through which it is possible to look into the building and indirectly become a part of an ongoing lecture or seminar inside of the building. The building itself is energy efficient and should represent the ideasof the National park and preservation of nature. Main bearing structure and underground walls are made out of face concrete. Inner partitions andfurniture are made out of plywood. Design of furniture and dimensions of its basic parts are adapted for the size of plywood plates and because of that there are no wasted residues.































PLACE:      Vrchlabi, Czech RepublicDESIGN:      2009IMPLEMENTATION:   2011 - 2014CLIENT:    Krkono?e Mountains National Park AdministrationAUTHOR:    Petr Hajek Architekti, www.hajekarchitekti.czMAIN ARCHITECT:   Petr HájekPARTICIPATION ON THE CONCEPT: Helena Línová, Michal VolfDESIGN PARTICIPATION:  Cornelia Klien, Andrea Kubná, Ond?ej Lipensky, Helena       Línová, Martin Prok?, Martin Stoss, Michal Volf, Jan Kolá?GRAPHIC DESIGNER:   Kristina AmbrozováCIVIL ENGINEER:   Jan Kolá?GEOMETRY OF THE SHELL:  Jaroslav HulínPORTABLE FURNITURE:  Cornelia Klien, Martin StossPHOTO CREDITS: Benedikt Markel




















































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