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DAGA咖啡厅/ ///byn第1张图片

建筑设计工作室: ///byn
地点:中国,上海
项目负责人:Nicolas Salto del Giorgio & Bittor Sanchez-Monasterio
合作伙伴:Audrius Liaugminas, Luke Webster, Yao Yi & Li Min
项目年份:2011
摄影:JIANG Yong
项目面积:250平方米
施工:上海丽江装饰设计有限公司
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DAGA咖啡厅坐落于上海商业区一栋5层建筑的一楼。尽管该建筑坐落于前法租界的中心,本身却没有什么特别的建筑价值。其公共楼梯的周围空间成U型,深受一排排横梁和管道的影响,它们就悬挂在天花板下一米的地方。

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革命期间收藏了一些古董家具。他想用自己的收藏创造一个大厅的环境,使顾客可以在舒适的环境下,享受一顿简单的饭菜。咖啡厅的名字DAGA来自“Shanghaineese”的拼音拼写,意思是“以和谐的方式把不同的元素在同一界限内”。

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该设计决定创建新型的尖形雕塑,包裹起其内部空间。根据这一原则,我们创建了连续白色的内墙,以此隐藏了该建筑之前的所有缺陷并使它们融入了咖啡馆的设计(例如酒窖,图书馆,洗手间和厨房)。

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此新型的墙体雕刻彻底改变了其空间的比例,并为用户提供了一系列独特的空间。在该建筑的中心,我们设置了一个成一定角度倾斜的白色大理石和服务客人和员工的玻璃吧台。

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对于像从拆除的老房子取来的再生木材、棕色皮革、再生陶瓷地砖和白色的大理石这样的传统材料的使用,与三角形的白色墙面成对比,这提供一个抽象而温暖的环境,其中古董家具脱颖而出。

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座位的安排主要是受到原有家具收藏的影响,使得用餐可以有多重体验:立于吧台周围、贵宾房内的聚会、玻璃墙边的沙发休息区、长椅旁的小桌子或藏在低天花板的夹层。

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特别鸣谢翻译一组10号 张晓丽提供的翻译,译稿版权归译者所有,转载请注明出处。


Architects: ///byn
Location: Shanghai, China
Principals: Nicolas Salto del Giorgio & Bittor Sanchez-Monasterio
Collaborators: Audrius Liaugminas, Luke Webster, Yao Yi & Li Min
Project Year: 2011
Photographs: JIANG Yong
Project Area: 250 sqm
Construction: SHANGHAI LAIJIANG DECORATE DESIGN CO, LTD

DAGA Café is located on the ground floor of a communist residential 5-story building in Downtown Shanghai. Even if the building is located in the heart of the former French concession it has no particular architectural value.

The space has a U shape around the public staircase of the building and was highly influenced by the presence of a sequence of beams and pipes hanging1 meter below the ceiling.

The client, a private collector of European-style antique furniture kept from the Chinese Cultural Revolution, wanted to create a lounge environment were the guests could enjoy a simple meal in a comfortable space furnished by his own collection. The café’s name DAGA comes from the phonetic transcription of a Shanghaineese word that means “putting together different elements within one boundary in a harmonious way”.

The design decision was to create a new sculpted sharp envelope that will wrap the space from inside. Following this principle we create a continuous white inner skin that folds hiding all the preexistent defects and integrates the café programs (such a wine cellar, library, restrooms and kitchen). This sculpted new skin drastically changes the proportion of the space, and provides to the user with a sequence of distinctive spaces. In the heart of the space we locate a large angled white marble and glass bar that organizes the guests and the staff flow.

The use of traditional materials such a reclaimed wood from demolished old houses, brown leather, recycled ceramic floor tiles and white marble, contrasts with the triangulated white surfaces providing an abstract warm environment where the antique furniture stands out. The seating arrangements were mainly influenced by the preexisting collection of furniture providing a variety of dining experiences: from standing around the bar, group parties at the VIP room, sofa lounge by the glass facade, small tables along the bench or hiding in the low-ceiling mezzanine.


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