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2018威尼斯建筑双年展官方平行展Time Space Existence第1张图片


Parallel show Time Space Existence of La Biennale di Venezia in 2018

展览背景

已有120余年历史的威尼斯双年展(La Biennale di Venezia),是全球最具影响力的艺术与设计活动之一。2018第16届威尼斯建筑双年展,即将于当地时间5月26日开幕。分别来自中国两大设计之都台北、深圳的建筑设计机构CROX阔合与HHD-SZ华汇,受到威尼斯双年展官方单位欧洲文化中心(European Cultural Centre)之全球艺术事务基金会(GAA Foundation)邀请,将携同其各自的最新力作登陆水城的莫拉宫(Palazzo Mora)。


展览内容

在声与影构筑的艺术空间中实现“天地与人相参”

CROX阔合以关心人本的空间互动诠释,呈现人与生活间的每一种可能。尚在施工最后阶段的溧阳博物馆位于长江三角洲南缘,这里素有鱼米之乡的美誉,也是吴越文化的发源地。艺术导师林琮然以《后汉书•蔡邕传》中焦尾琴的历史故事为创作原点,采用刻境、悬歌、流转的多重概念将文化与生活场景具体化。溧阳博物馆犹如燕湖之上一座多面向量体的漂浮建筑,中空的体态演绎着真空妙语般简单却又不简单的悬歌。

与前者的设计理念相通,HHD-SZ华汇着意于特定场地的经验与记忆,构建建筑、风景与人的交互关系。2017年12月完工的天地艺术馆位于重庆嘉陵江岸,糅合着巴渝山城的市井与巴山夜雨的诗情。主设计师肖诚以“高”(对山的拟仿)、“阔”(对水域的回应)、“抬”(多标高的平台)三个不同形态的体量组合,让充满复杂性的城市生态成为空间景观的一部分,也让空间本身从感官上退却为体验风景的媒介。


主创呈述:

肖诚:好的建筑,生于场地,生成场所,人的体验则构成场所的灵魂

“重庆天地艺术馆从第一幅草图到项目建成,只经过了120天,这是当下中国快速城市化进程的一个缩影:一个个快速生长的城市,一座座快速建成的建筑。然而人对于城市和建筑的经验与记忆也全是速生和速长的吗,就如同吃一顿快餐?我们对于这个项目的设计尝试就是带着这样的疑问开始的。我们试图构建出一种属于这个场地所特有的人和空间的互动和交流。也许这个体验是速生的,但如果它能在短时间里构建出此时此地的城市、建筑、风景和人之间的立体、互动、多维度的交互关系,那么我想,这样的经验不会是快速消失的吧。”


展陈信息

时间:2018年5月26日-11月25日
地点:意大利威尼斯Palazzo Mora宫殿二层207室
展览形式:图文展板,影音屏幕,实体模型
主办单位:欧洲文化中心
策展单位:全球艺术事务基金会,三霞品牌推广


参展项目

溧阳博物馆

2018威尼斯建筑双年展官方平行展Time Space Existence第2张图片


2018威尼斯建筑双年展官方平行展Time Space Existence第3张图片


2018威尼斯建筑双年展官方平行展Time Space Existence第4张图片



天地艺术馆

2018威尼斯建筑双年展官方平行展Time Space Existence第5张图片


2018威尼斯建筑双年展官方平行展Time Space Existence第6张图片


2018威尼斯建筑双年展官方平行展Time Space Existence第7张图片


Background Information
With over 120 year history, La Biennale di Venezia is one of the most influential art and design events in the world. The 16th edition of its Biennale Architettura is expected to open on May 26th 2018. Two Chinese architectural design practices, CROX from Taipei and HHD-SZ from Shenzhen, cooperate with GAA Foundation hosted and supported by European Cultural Centre, to show their latest projects in the prestigious Palazzo Mora.

Exhibition Projects
"Mutual Reference of Human, Earth & Universe" in artistic space   
CROX believes that the relationship between users and environment must reach the state of equilibriums. Liyang City Museum, still under construction, is located on the southern edge of Yangtze River Delta, known as the hometown of fish and rice, also the birthplace of Wu and Yue culture. Art supervisor C.R.Lin created the project's concept in the story of Yong Cai's Jiaoweiqin in later Han dynasty, adopting Kejing (visualize & scenarize), Xuange (hang & sing), Liuzhuan (flow) to visualize culture and life senses. From a distance, Liyang City Museum looks like a floating architecture above Yanhu Lake. Its hollowed body is similar to a musical poetry, smooth and thoughtful.     
In common with CROX's concept, HHD-SZ values on experience and memory of specific site to construct interactive relationship between building, scenery and users. Tiandi Art Gallery, completed in December of 2017, is located on the coast of Jialing River and endowed with Ba Yu folklore and landscape. Chief designer Xiao Cheng created three volumes showing different gestures, namely, being "high", "wide" and "raised". If the height is a simulation of mountain, then the width is a responding to waterscape. Along with the raised platform, the three blocks are grouped together and each has a different section view. It creates an interaction with users and urban environment while translating environment features into space experiences.

Designer's Narration:
Xiao Cheng: Good building is born on site and creates a place; human experience constitutes soul of the place.
Chongqing Tiandi Art Gallery took only 120 days from the first sketch in the conceptual design stage to the realization of the whole project, and this is an epitome of China's rapid urbanization process: cities are growing fast, and buildings are being constructed quickly. However, are people's experiences and memories of cities and buildings also formed as rapidly as we eat fast food? Our design attempt to the project started with such question. We are trying to create interaction and communication between people and space that are unique to the site. Perhaps this is a fast-growing experience, but if it can establish an multi-dimensional relationship among the city, building, landscape and people, I think such experience won't disappear quickly.

Exhibition Information
Date: From May 26th to Nov 25th, 2018
Site: Room 207, Second Floor, Palazzo Mora, Venice, Italy
Exhibition Forms: Text & Image Boards, Video Screen, Miniature Model
Organizer: European Cultural Centre
Curators: GAA Foundation, Sunshine PR

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