Capela Sarzedela教堂/ Bruno Dias-宗教建筑|教堂-专筑网

Capela Sarzedela教堂/ Bruno Dias

2016-05-10 10171 Views iarch001

建筑, 宗教建筑, 教堂, Bruno Dias, 木材

CapelaSarzedela

由专筑网Ann，刘庆新编译

教堂位于Ansiao城镇附近，年久失修，但仍显得十分坚固。它在不断流逝的时间里静静的沉寂着，等待有一天能够重新被利用起来。教堂已经衰败的很严重，随着时间的推移，一些干扰因素破坏了建筑自身的状态和结构。在深入分析和了解教堂的历史、发展过程和前居民的经验之后，在2010年开始了首次修复项目。实施了复杂的治理与重建工作，希望找寻遗失的场所感，赋予它原有的空间特征。教堂承载着历史的记忆，通过一系列的修复工作，使内部重新保持空间的完整和连贯性。

Situated in a village near the town of Ansiao , is a chapel that after abandoned and abused , continues to prove its soundness . Although he continued to be consumed by time resting in silence , waiting for a guarantee of its maintenance, use. He was in an advanced state of degradation. However over time arise some interventions that damaged the experiences of the chapel and its structural condition. After a thorough analysis of the history of the chapel , history records and experiences of the former inhabitants , the project started in 2010 for the first time in its history , affected the entire building.Complex process which was seconded and sobreposeram activities of restoration, rehabilitation and restoration. It proposed to repay the missing comfort in the space, giving it a character of permanence. Through a set of interventions intended to bring internal coherence to the whole of the operations provided in the buildingin consideration Memory Chapel.

© Hugo Santos Silva

© Hugo Santos Silva

© Hugo Santos Silva

项目旨在恢复教堂的室内部分，创造一个和融洽、细腻沉静的空间，在遵从现有建筑自身传统和特征的基础上重塑建筑语言。重新恢复了室内的非对称式布局、建筑的历史记忆，建筑恢复其原有的尺度，与残破的现状形成对比。

修复过程中尽可能恢复原有的结构，更换已经倒塌或遗失的旧木梁，新建筑将会改善空间和环境的关系，使二者更加和谐统一。新的空间中，光线、透明度和开阔的景观视野是主要特征，充分利用空间的抽象性和透视感十足的白色墙体，打造出平和明快的空间，表现了宗教的仪式感，在尊重现有结构及其建筑特征的基础上进行改造，使之重新变成了一个可供使用的空间，赋予其历史认同感。村民们也参与了修复项目，见证着原来残破的小教堂的改变，强烈的参与感使居民与教堂的感情更加深厚。

This project was based on the revitalization of the chapel interior space , creating a harmonious space , a particularly sensitive program , developing a language we always based on respect for the existing heritage and its architectural character . Recover the asymmetric arrangement of the interior , the historical memory of the building , establishing relationships analogy with the functional core of the existing battered and mutilated it would regain its old dimensions .
The new construction system based, wherever possible the recovery of the original structures , replacing the old wooden beams , which however had collapsed or disappeared. The new spatial configuration would change the relationship between the void and the built environment , proposing more close relationships with comfort . Great spatial richness clarified by changing its scale with the program , in which the lights , transparencies and broad prospects assumed a leading role in defining the new spaces , taking as its premise the existing avowedly abstract and scenographic white walls , conveying calm and lightness to the space , staging religious spatiality , ensuring a current intervention , respecting the existing heritage and its architectural character , giving it a scenographic spatiality reusing existing objects , thus creating its identity based on the history values . Project developed in line with the villagers , removing them as much experience history in the chapel , thus ensuring an intervention experienced by everyone , creating a closeness of dwelling premature.