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绘造社DAS的《城市化风景系列》最新作品绘造社 • 《团结湖》全景图。
来自北京的绘造社从Colin Rowe的透明性理论中得到灵感,以全景图的形式,表现了一个典型的北京住宅区——团结湖。
Drawing Architecture Studio •Tuan Jie Hu Panorama
Beijing-based Drawing Architecture Studio (DAS)represents a residential district in Beijing in a panoramic drawing with inspiration from Colin Rowe’s phenomenal transparency theory.  

Tuan Jie Hu Panorama / DAS第1张图片
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As a contrast to their failure in the United States, Modernist slab apartments have shown great urban dynamics in Beijing. Tuan Jie Hu is an epitome of old residential area located by the East 3rd Ring Road in Beijing. Good location and relatively reasonable rent make it a primary destination for people who work in the CBD area and want to find a place to live nearby. Despite of its poor planning and outdated architectural design, this area has self-generated a diverse urban ecological system. Here the positive relationship between the design quality and urban dynamics has been challenged.

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Tuan Jie Hu Panorama is the latest piece by DAS for its Urbanized Landscape Series. As a long-term working plan, this Series is a project in which DAS aims to explore the architect’s traditional technique – drawing and to free and strengthen the city’s desire for self-expression in the form of drawing.

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Tuan Jie Hu Panorama / DAS第6张图片

《团结湖》除了保持了绘造社城市全景图一贯的事无巨细的风格,还对建筑绘画的技巧进行了新的探讨。通过不同方向的45度轴线让观者的视点不断变化,犹如立体派的绘画。这里有绘造社对Colin Rowe的透明性理论的主观理解。Colin Rowe从立体派绘画中提炼出了“现象的透明”概念,并将植入到对建筑的解读中。简单地讲,它就是多种空间系统的冲突产生的张力。轴测图天然具有平面的正交系统和轴向的45度角系统的相互冲突,亦平面亦立体。利用这一特性描绘城市,自然就产生了具有“现象的透明性”的立体派绘画。这里,绘造社做了一个与Colin Rowe相反的工作,用建筑轴测图特有的属性解读立体派绘画。

Tuan Jie Hu Panorama / DAS第7张图片

↑ 拥挤的地铁入口 / 全天交通拥堵的东三环

Consistent with the exceptionally detailed signature style of DAS’ urban panoramic drawings, Tuan Jie Hu Panorama vividly depicts the views from the daily life in this local community. At the same time, the piece also shows some new exploration in architectural drawing techniques. Some 45-degree axes from different directions allow the viewers to constantly change their viewpoints, which is like a Cubism painting. Here it involves DAS’ subjective understanding on Colin Rowe’s transparency theory. Rowe extracted his concept of “phenomenal transparency” from Cubism paintings and built it into the understanding of architecture. It is briefly about tensions resulted from conflicts among different spatial systems. While in axonometric projection, the coexistence of orthogonal system and 45-degree axial system naturally presents interesting conflicts, both two- and three-dimensional. If using this unique feature from architectural drawing to depict cities, a Cubism artwork with “phenomenal transparency” will naturally come into being. In Tuan Jie Hu Panorama, opposite to Rowe, DAS uses axonometric drawing techniques from architectural practice to reinterpret Cubism art.
DAS’ indulgence in cities has nothing to do with the goodness or badness of design, but is because of some crazy or even absurd status of contemporary metropolises. The aim of DAS’ work is to represent such a status in the form of architectural drawing.

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↑ 学校放学前接孩子的家长挤满学门 / 快递员在设在小区内的站点忙碌分拣  

DAS believes that nowadays architectural and urban design are not necessarily effective when facing the complicated urban issues. Sometimes they might even look particularly fragile and pale. Architects shall give up their position as saviors of the world and do not limit their roles in making design proposals to change the real world. Then they might find themselves more extensive works within their capabilities.

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↑ 沿街居民楼一层改造为底商  
很多情况下,城市需要的不是设计,而是表达。城市有自己的生命,有内在的运行逻辑。通过不断孕育出一系列都市奇观,城市展现出强烈的自我表达欲望。Rem Koolhaas在《癫狂的纽约》中把纽约比作一个电影明星:“明星的生活太自我中心,无法发现自己的生活方式,太闪烁其词,无法知晓自己的生活意图,太浮躁不安,无法记住自己生活经历,于是影子写手替他们做这些。同样的道理,我就是曼哈顿的影子写手(Ghostwriter)。”同样的道理,绘造社试图成为当代北京的影子画家(Ghostpainter)。

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↑ 小区里的街心花园 / 老旧电线与无线互联网并存  

In many cases, cities need expression rather than design. Cities have their own lives and inner operation logic. By continuously breeding a series of urban wonders, cities have presented strong desires for self-expression. In his book Delirious New York, Rem Koolhaas describes New York as a movie star. “Movie stars who have led adventure-packed lives are often too egocentric to discover patterns, too inarticulate to express intentions, too restless to record or remember events. Ghostwriters do it for them. In the same way I was Manhattan’s ghostwriter.” By the same token, DAS tries to become the “ghostpainter” of contemporary Beijing.

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↑ 居民楼窗户因为安全考虑安装的金属护栏  


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Tuan Jie Hu Panorama is a creation resulted from DAS’ participation in an urban research workshop in 2014 hosted by Chinese architect Wang Hui from URBANUS Beijing whose tutors include Professor Zhang Lufeng from University of Chinese Academy of Sciences, Professor Zhou Yufang and He Keren from Central Academy of Fine Arts, and architect Li Han from DAS. The workshop was a summer research program for graduate students from UCAS. With Tuan Jie Hu area as the study case, the task of the workshop was to explore urban environmental renovation strategies for old districts in the current social context.

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↑  全景横图 all horizontal

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↑  全景竖图 all vertical

李涵 / 胡妍 / 张欣桐 / 王沛 / 谭志鹏 / 王剑锋 / 中国科学院大学建筑研究与设计中心研究生团队
Tuan Jie Hu Panorama Project Team Li Han, Hu Yan, Zhang Xintong, Wang Pei, Tan Zhipeng, Wang Jianfeng, graduate students from Architecture Research & Design Center of University of Chinese Academy of Sciences


Founded by architect Li Han and designer Hu Yan in Beijing, Drawing Architecture Studio (DAS) takes drawing and architecture as the key platforms. For drawing, DAS is dedicated to developing the expressive potential of architectural drawings and creating unique art works with architectural style, as to present a vivid secular urban living. For architecture, DAS takes reference from the real life, collects and documents the anonymous architecture in the daily surroundings, and transforms the folk wisdom into design tools for professional architectural practice.




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