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中国艺术的西式表达丨米兰瓷器展厅第1张图片


The Porcelain Room / Tom Postma Design

由专筑网小R编译

来自建筑事务所的描述:这座瓷器展厅是对欧洲古典瓷器室的致敬,该项目由Tom Postma设计事务所设计,表达了对于瓷器室的现代化策略,而这个项目也是对于由库哈斯设计的永久性建筑的直接对话。展览中汇集了1700件16至19世纪的中国出口瓷器,该展览由中国瓷器专家Jorge Welsh和Luísa Vinhais共同策划,钻研了到目前为止中国出口瓷器的历史与影响。

Text description provided by the architects. The exhibition is an homage to the ancient porcelain rooms of European palaces and aristocratic houses. The design created by Tom Postma Design represents a contemporary interpretation of the porcelain room. A temporary setting in direct dialogue with the permanent architecture by Rem Koolhaas. The exhibition brings together more than 1,700 individual Chinese export porcelains made from the 16th to the 19th centuries and is curated by Chinese porcelain experts Jorge Welsh and Luísa Vinhais. It explores the historical context, scope and impact of Chinese exported porcelains up to the present time.

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设计师为这座瓷器展厅设计的空间可以分为3个部分,同时也将其构思为“房中之房”。设计方案包含有两个覆盖着天鹅绒的环境,其中有多个展柜和装饰着金色的展览空间。不同的独立空间拥有着独特的氛围,构成了瓷器展厅中所特有的亲密感受。Tom Postma说:“设计这个展厅是一次独特的经历,这就像在设计一个装置,空间具有创新性,也需要适当的材料和照明,以完美的方式来展示非凡的展品。”

The spatial design we created for The Porcelain Room exhibition is divided into 3 sections and conceived as a room within a room. The design comprises of two environments covered in brown velvet including multiple showcases and an intimate space decorated in gold. The three individual spaces exude their own specific ambiance, arising from the desire to recreate that distinct intimate feeling of a porcelain room. “Designing this exhibition was an exceptional experience. Like designing an installation. The spatial design is innovative and quite physical. Requiring the right materials and optimal lighting to present this precious and extraordinary collection of porcelains in the most perfect way.” Tom Postma.

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这些珍贵的展品展示了在葡萄牙人来到中国之后,欧洲客户对于中国瓷器的首次委托,在早期,西方的瓷器订单较为罕见,至今大约保存有150件作品。在这里,大约有53件珍贵的艺术品被精心地展示出来,它们看起来就如同漂浮在黑暗之中而熠熠生辉。这些独一无二的展品来自世界各地的大众和私人珍藏,它们很好地代表了当时的类型和图像特征。

The precious collection shows the very first commissions of Chinese porcelains by European clients after the arrival of the Portuguese in China. Early Western orders are extremely rare, with only around 150 having survived to the present day. Over 53 precious pieces are elegantly lit and displayed as if they are floating through darkness. The selection of unique first orders, on loan from the most relevant public and private collections from all over the world, represents the entire array of first orders in terms of typology, iconography, and period of manufacture.

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该展览的一大亮点便是金色房间,这是对传统瓷器室的现代化致敬,这就好像是Charlottenburg和Santos宫殿中的典型瓷器橱柜。空间墙体上全都覆盖着瓷器和金色叶子,在参观者和超过1400件瓷器展品中构成了亲密的互动,艺术家Jorge Welsh用瓷器盘子作为现代画作的“笔触”,绘制了柔和、有机的色彩线条,展览中的作品以自然但却令人惊讶的形式展示了动物、蔬菜,以及水果,探索了为西方市场制作的中国餐具的异国氛围。

One of the highlights of the exhibition is the golden room, a true contemporary homage to the tradition of porcelain rooms, like the iconic Porcelain Cabinet at the Charlottenburg Palace and Santos Palace. The room walls are totally covered in porcelains and gilded in gold leaves. The room creates an intimate interplay between the visitor and the breath-taking collection of more than 1,400 porcelain plates decorating the entire room. Jorge Welsh – artist in his early years – painted lines of colours, very organic and soft, using the plates as ‘brushstrokes’ of modern painting. Corridor with tureens The middle section features a wide selection of objects interpreted as natural and surprising forms representing animals, vegetables and fruit tureens, in order to explore the impact and exoticism of Chinese tableware made for Western markets.

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建筑设计:Tom Postma Design
地点:意大利 米兰
类型:展览中心
面积:383 m2
时间:2020年
摄影:Mark Niedermann
制造商:GRAPHISOFT, Adobe, Gimmick and Gizmo Zoom, Peroni
设计团队:Tom Postma, Paride Piccinini, Mátyás Simonyi, Roel Smit

EXHIBITION CENTER
MILAN, ITALY
Architects: Tom Postma Design
Area: 383 m2
Year: 2020
Photographs: Mark Niedermann
Manufacturers: GRAPHISOFT, Adobe, Gimmick and Gizmo Zoom, Peroni
Design Team: Tom Postma, Paride Piccinini, Mátyás Simonyi, Roel Smit

       
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