卡地亚基金会对拉丁美洲现代艺术多样性的探讨
Fondation Cartier explores the diversity of modern art in Latin America

由专筑网李佳琪，吴静雅编译

展览‘Géométries Sud, du Mexique à la Terre de Feu’意在赞美拉丁美洲的艺术，包括其丰富的色彩、多样的风格和几何抽象的艺术手法。展览展示了250件来自前哥伦布时期70多位不同艺术家的艺术品，展现了现代主义抽象艺术，包括雕塑、建筑、陶瓷、编织以及人体绘画。展览包括：玻利维亚建筑师freddy mamani专门设计的装置，巴拉圭建筑duo solano benítez 和gloria cabral，除此之外还将首次在巴黎展示gego的雕塑作品，在欧洲展示巴拉圭的土著作品。

这场展览于10月14日在巴黎卡地亚开幕，由Freddy Mamani设计的一间壮观的舞厅作为开始。作品是受到 Tiwanaku 文化中几何图案特征和Andean（安第斯）乡村节日精神的启发而完成的。

The exhibition ‘Géométries Sud, du Mexique à la Terre de Feu’ celebrates the wealth of color, and diversity of styles and artistic approaches to geometric abstraction in Latin America. It shows 250 artworks by over 70 different artists from the pre-columbian period, presenting modernist abstract art, sculpture and architecture, ceramics, weaving, and body painting. Including specially designed installations by Bolivian architect Freddy Mamani, and Paraguayan architecture Duo Solano Benítez and Gloria Cabral, the show will also feature the first presentation of a collection of sculptures by Gego in Paris and showcase indigenous works from Paraguay for the first time in Europe.
The exhibition, opening on October 14 in Fondation Cartier, Paris, starts with a spectacular ballroom designed by Freddy Mamani, whose work is inspired by the geometric motifs characteristic of Tiwanaku culture and the spirit of Andean village festivals.

Freddy Mamani
来自Neo-Andina系列照片© Tatewaki Nio
作品在Musée du Quai Branly – Jacques Chirac的支持下完成

Freddy Mamani
from Neo‐Andina series photos © Tatewaki Nio
this work was produced with the support of the Musée du Quai Branly – Jacques Chirac

Solano Benítez 和 Gloria Cabral，是2016年威尼斯建筑双年展上金狮奖的获奖者。他们利用了碎砖和混凝土板，根据重复的原则创作了一件不朽的作品。这是一个有韵律的建筑，光线进入画廊空间获得巧妙的光影。同时建筑利用了模块化的三角形系统，达到了一种微妙平衡，并以此作为卡地亚基金会大楼的正面。

Solano Benítez and Gloria Cabral, the winners of the Golden Lion at the Venice Architecture Biennale in 2016, use panels of shattered bricks and concrete to create a monumental work based on the principle of repetition. A rhythmic construc¬tion that plays with the light coming into the gallery space, this installation, assembled in a delicate equilibrium using a modular system of triangles, runs the length of the facade of the Fondation Cartier building.

Anna Mariani
外立面系列，1973-86
Xique‐xique，巴伊亚，巴西，1979
画家喷墨画集
© Anna Mariani

Anna Mariani
Façades series, 1973‐86
Xique‐xique, Bahia, Brazil, 1979
Inkjet print collection of the artist
© Anna Mariani

著名委内瑞拉艺术家Gego的23件复杂的铁丝雕塑组也将展出。这些作品中有许多都属于 Fundación Museos Nacionales（委内瑞拉国家博物馆基金会），是第一次在这里被聚集起来。

A remarkable group of 23 intricate wire sculp¬tures by the acclaimed Venezuelan artist Gego will also be on display. These works, many of which belong to the Fundación Museos Nacionales in Venezuela, have been brought together for the first time here.

Luiz Zerbini, A Primeira Missa, 2014
布面丙烯画200 x 300 cm
Luis Zerbini收藏
© Luiz Zerbini
摄影 © Jaime Acioli

Luiz Zerbini, A Primeira Missa, 2014
Acrylic on canvas 200 x 300 cm
Collection Luis Zerbini
© Luiz Zerbini
Photo © Jaime Acioli

Beatriz Milhazes, São Cosme E Damião, 2014
布面丙烯画250 × 220 cm
Rio de Janeiro私人收藏
© Beatriz Milhazes
摄影 © Pepe Schettino

Beatriz Milhazes, São Cosme E Damião, 2014
Acrylic on canvas 250 × 220 cm
Private collection, Rio de Janeiro
© Beatriz Milhazes
Photo © Pepe Schettino

Loló Soldevilla
无题, 1956
油画
35,6 × 28 cm
© Loló Soldevilla

Loló Soldevilla
Untitled, 1956
Oil on panel
35,6 × 28 cm
© Loló Soldevilla

Carmen Herrera
Camino Rojo, 2017
布面丙烯画
152,4 x 152,4 cm
艺术家和Lisson画廊
照片提供：Carmen Herrera

Carmen Herrera
Camino Rojo, 2017
Acrylic on canvas
152,4 x 152,4 cm
Courtesy of the artist and Lisson gallery
Photo by Carmen Herrera

Guillermo Kuitca, Cárcel Amarilla, 1994
布面石墨、彩色铅笔和丙烯画
175 × 236 cm
艺术家收藏
© Guillermo Kuitca
图片提供：Martín Touzón

Guillermo Kuitca, Cárcel Amarilla, 1994
Graphite, color pencils and acrylic on canvas
175 × 236 cm
Collection of the artist
© Guillermo Kuitca
Photo by Martín Touzón

Olga de Amaral Brumas e, b, c, a, g, d, 2013
棉、石膏、腈纶
190 × 90 cm (每个单体)
Galerie la Patinoire Royale / Valerie Bach, 布鲁塞尔,比利时
© Courtesy of Casa Amaral
图片提供 © Diego Amaral

Olga de Amaral Brumas e, b, c, a, g, d, 2013
Cotton, gesso and acrylic
190 × 90 cm (each)
Galerie la Patinoire Royale / Valerie Bach, Brussels,Belgium
© Courtesy of Casa Amaral
Photo © Diego Amaral

Paolo Gasparini
加拉加斯及其体系结构, 委内瑞拉
1967‐1968
16,6 × 24,4 cm
© Paolo Gasparini

Paolo Gasparini
Caracas y su arquitectura, Venezuela
1967‐1968
16,6 × 24,4 cm
© Paolo Gasparini

Martin Gusinde
Terre de Feu，阿根廷和智利
Ulen, Forte Tête. Hain（海恩）仪式，Selk’Nam（塞尔克南）仪式。
Ulen，图中男性小丑.他的角色是招待海恩（仪式）的观众
碳颜料压印
58 x 41 cm
私人收藏，巴黎
© Anthropos Institut, Sankt Augustin

Martin Gusinde
Terre de Feu, Argentine et Chili
Ulen, Forte Tête. Hain ceremony, Selk’Nam rite.
Ulen, the male jester. His role is to entertain the Hain’s spectators
Piezographic print with carbon pigments
58 x 41 cm
Private collection, Paris