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蕾塔唛学校礼堂 / Artytech2第1张图片

由专筑网Brick,卢荣姝编译

来自事务所的描述。蕾塔唛学校经过50年的教学活动,容纳超过2250名学生,它过去有一座能容纳250人的教堂,没有足够的空间来举办重要的年度节庆活动。我们接到委托,提出建造新建筑取代原有建筑的方案,新建筑能容纳600人,附加的礼堂可容纳450名观众。项目寻求与建筑其他部分相融合,用砖块建造,同时成为学校的代表性建筑,由于绿锌制造的屋顶而引人注目。

该建筑通过内部来管理。内部演讲空间照理是项目最重要的部分,赋予了特色和灵魂。设计策略是连续划分宽敞的室内空间。光线通过屋顶的三角形天窗照进,从一个门廊到下一个门廊,通向圣祠管辖的内殿。

From the architect. The Retamar School had a chapel for 250 persons, after 50 years of teaching activity and a capacity of more than 2.250 pupils, insufficient for the important annual festivities taking place in this center. We got the commission to present a proposal to substitute the existing building for a new one, with a capacity of 600 persons and an additional auditorium for 450 spectators. Our project was looking for the integration with the rest of the edification, constructed in bricks, but being a representative building for the school at the same time, standing out with its grand roof done out of green zinc.
The building is managed through its interior: The inside space of the oratory, which is logically the most important of the project, has given it its character and its “soul”. A successive division of the great interior space was the strategy. Light enters through the triangular skylights of the roof from portico to portico and is led to the presbytery, dominated by the shrine.

蕾塔唛学校礼堂 / Artytech2第2张图片
© Javier Orive

入口在侧翼,位于嵌入幕墙的巨大彩色玻璃下面,敞向重新设计的学校广场。入口通过断裂显示了不对称性:正面看台左边有少数台阶,右边台阶通往中殿的主要部分。高层的正面看台和合唱场地用于观众更多的特殊日子。这里的照明通过彩色玻璃制作的落地窗来实现,彩色玻璃有不同的形状,让人想起玫瑰花窗。

The entrance, placed under a huge and important stained glass incorporated to a curtain wall, is on the wing, which opens to the redesigned plaza of the school. This entrance unveils its asymmetry by creating a first rupture: A grandstand with few steps to the left side, and to the right the main part of the nave. The higher level grandstand and the chorus are used for special days with higher turnout. The lighting there is achieved by a picture window, done as well with stained glass, which, although having a different shape, reminds to a rose window.

蕾塔唛学校礼堂 / Artytech2第3张图片
© Javier Orive

中殿覆盖着竹材,由Grupo GUBIA公司制作成板条包覆在天花板上,这是为了完美适应不同的屋顶曲面,并且在同样使用了面板的屋顶实现从曲面到平面的过渡。内殿的内壳用金色钛代替竹子,还将圣坛周围的金色花岗岩变成绿色花岗岩,从而显示这个区域的不同和重要性。

The nave is covered with timber out of bamboo, worked by Grupo GUBIA in slats at the ceiling, in order to get perfectly adapted to the different curved surfaces of the roof and to achieve the transition from curve to plane, where panels are used. The inside shell of the presbytery substitutes the bamboo for titan with a golden flair, as well as the golden granite changes to green granite around the altar, to mark the difference and the importance of this area.

蕾塔唛学校礼堂 / Artytech2第4张图片
© Javier Orive

蕾塔唛学校礼堂 / Artytech2第5张图片
© Javier Orive

蕾塔唛学校礼堂 / Artytech2第6张图片
© Javier Orive

竹子除了增强整体空间的连续性,还带有独特的温暖感觉,让这种体积特征的空间能够和表面相称,表面用于唱歌、演讲、祈祷空间板条之间的吸音。由于竹子的特殊属性,除了长椅,建筑中使用的所有木材都是竹子。

The bamboo, apart from reinforcing the continuity of the whole space, gives singular warmth and allows that a space with this volumetric character, is capable to proportionate the surface for the acoustic absorption between its slats for chant, word and prayer. All the timber used in the building except the benches is bamboo because of the special properties of this wood.

蕾塔唛学校礼堂 / Artytech2第7张图片
© Javier Orive

蕾塔唛学校礼堂 / Artytech2第8张图片
Planta Sótano

走廊和屋顶的分区嬉戏,形成幕墙下面的主入口,或者创建紧急出口,或者创建到圣器室的通道,通道沿着忏悔室形成的竹质曲面。自然采光产生的效果通过人工照明得到增强和突出。

The aisles, playing with the division of the roof, are forming the main entrance under the curtain wall, or are creating the emergency exit and the access to the sacristy following the curved front formed by the confessionals, as well done out of bamboo. The effects achieved by the natural lighting get reinforced and accentuated by the artificial lighting.

蕾塔唛学校礼堂 / Artytech2第9张图片
© Javier Orive

蕾塔唛学校礼堂 / Artytech2第10张图片
© Javier Orive

蕾塔唛学校礼堂 / Artytech2第11张图片
© Javier Orive

演讲空间呈现为一个单元,通过混凝土楼梯继续下到大天窗下的礼堂低层。同一楼层有三个教室、洗手间和机房。

The oratory appears as a unit, proceeding down through a concrete staircase to the lower level of the auditorium under a huge skylight. On the same floor there are three classrooms, toilets and technical rooms .

蕾塔唛学校礼堂 / Artytech2第12张图片
© Javier Orive

蕾塔唛学校礼堂 / Artytech2第13张图片
Planta Baja/一层

礼堂内部通过两个主要表面的对照来成形,两个表面的装饰非常不同:电镀金属防护板和竹材面板。通过砖和锌之间、静态和动态元素之间的交流,两个主要空间的内部游戏在外部得到表现。

The interior of the auditorium is formalized by the contrast of two main surfaces, two finishes very differentiated: Galvanized deployé metal shields and bamboo panels. This interior game of two main spaces gets expressed at the exterior by the dialog between the brick and the zinc, the static and the dynamic element.

蕾塔唛学校礼堂 / Artytech2第14张图片
© Javier Orive

蕾塔唛学校礼堂 / Artytech2第15张图片
© Javier Orive

蕾塔唛学校礼堂 / Artytech2第16张图片
© Javier Orive

蕾塔唛学校礼堂 / Artytech2第17张图片
Sketch/略图

蕾塔唛学校礼堂 / Artytech2第18张图片
Sketch/略图

蕾塔唛学校礼堂 / Artytech2第19张图片
Planta nivel 1


建筑设计: Artytech2
项目位置: 西班牙,马德里,波苏埃洛德亚拉尔孔
总建筑师: Enrique Hermoso Lera, Karin Heimannsfeld
设计团队: Enrique Hermoso Lera, Karin Heimannsfeld, Mariuca López, David García, Leandro Nuñez
项目面积: 2195.0平方米
项目时间: 2014年
摄影: Javier Orive, Cortesia de Artytech2
景观设计: Karin Heimannsfeld
结构: Carpentry and woodworks
木工和木制品: Grupo GUBIA 
工料测量: Gabriel Gómez de la Torre
声学顾问: Vicente Mestre Sancho
承建商: Construcciones Ruesma
委托方: Colegio Retamar
建筑容量: 可容纳600人,附加礼堂有450个座位

Architects: Artytech2
Location: Pozuelo de Alarcón, Madrid, Spain
Architects In Charge: Enrique Hermoso Lera, Karin Heimannsfeld
Team: Enrique Hermoso Lera, Karin Heimannsfeld, Mariuca López, David García, Leandro Nuñez
Area: 2195.0 m2
Year: 2014
Photography: Javier Orive, Cortesia de Artytech2
Landscape: Karin Heimannsfeld
Structure: Carpentry and woodworks
Carpentry And Woodworks: Grupo GUBIA 
Quantity Surveyor: Gabriel Gómez de la Torre
Acoustic Consultant: Vicente Mestre Sancho
Contractor: Construcciones Ruesma
Client: Colegio Retamar
Capacity Building: 600 personas y salón de actos con 450 plazas

出处:本文译自www.archdaily.com/,转载请注明出处。


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